Self trained Brazilian picture taker Sidney Gaspar archives the play of light and shadow in his dramatic scenes shot in highly contrasting. Scenes from Gaspar's day by day life in the port city of Santos are interceded by the craftsman's focal point, changing ordinary scenes into painterly organizations.
The mental scenes catch emotional urban vistas with keen consideration as sky, ocean, and city go up against marvelous, extraordinary characteristics. Design shapes linger like creepy skeletons, and mountains ascend from the cloudy waters in a scene that looks without human life, even dystopian.