Steffen Tuck frontal areas those parts of outline that are by and large impromptu. The feeling of shadows witnessed when daylight disregards a distending shaft, the accidental examples weaved between blocks stacked on each other to shape a divider — the forms and obscurity made by these and comparative marvels constitute her essential point of convergence.
Taking a gander at Tuck's photographs, watchers move toward becoming receptive to the temperaments engineering can incite past usefulness and plan. In Tuck's work, the hues, structures, and chiaroscuros acknowledged by the spatial appropriation of items offers path to a universe of stylish pleasure past what engineering is intentionally built to pass on.