French-Russian craftsman Misha De-Stroyev's dumbfounding works catch the glory and hugeness of the common world. Working with transcendently scene advanced photography, De-Stroyev regularly deifies his reality from a flying point of view. Clearing channels circumscribed by fresh geometric housetop bunches, a solitary surfer paddling into a peak of wild emerald surf, or a football field bizarrely put in the midst of an untamed breadth of ranger service and snow-topped pinnacles are altogether rendered with exceedingly immersed clarity and a dominance of adjusting both surface and sythesis. The craftsman is as of now
situated in Paris.